Public spaces
PLAY SPACE "SHISHKA" (PINECONE) IN SVERDLOV SQUARE
Nizhny Novgorod 2020
Just a few years ago, Sverdlov Square was merely a transit zone. Following a reconstruction project for the city’s 800th anniversary, led by the Institute for Urban Environment Development of the Nizhny Novgorod Region, it has transformed into a focal point for residents and tourists, featuring a modern play space.
The playground is nestled among the trees, slightly off the main pedestrian route. It features a small art object—a shaggy "Pinecone" (Shishka) made of interwoven logs, a zone for toddlers, a slide, and a "windfall" climbing structure for older children. The silhouette of the curved metal supports of the climbing structure resembles the roofs of traditional wooden houses. This is no coincidence: in the mid-19th century, this very spot was home to a low-rise neighborhood of old Nizhny Novgorod.
The accent elements of the playground harmonize in color with the overall design of the square, seamlessly integrating it into the surroundings. The scarlet supports of the climbing structures and the tower frame make the playground stand out among the trees and give it a festive appearance. The play environment created by "Cheharda" looks particularly striking in tandem with the vibrant graffiti by Dmitry Aske on the wall of a nearby building.
The resulting ensemble unites nature, architecture, and art, pays homage to the city’s history, and invites visitors for year-round outdoor strolls.
Area: 176 m² includes: 7 play structures and impact-absorbing surfaces.
Client: Institute for Urban Environment Development of the Nizhny Novgorod Region
Nizhny Novgorod 2020
Just a few years ago, Sverdlov Square was merely a transit zone. Following a reconstruction project for the city’s 800th anniversary, led by the Institute for Urban Environment Development of the Nizhny Novgorod Region, it has transformed into a focal point for residents and tourists, featuring a modern play space.
The playground is nestled among the trees, slightly off the main pedestrian route. It features a small art object—a shaggy "Pinecone" (Shishka) made of interwoven logs, a zone for toddlers, a slide, and a "windfall" climbing structure for older children. The silhouette of the curved metal supports of the climbing structure resembles the roofs of traditional wooden houses. This is no coincidence: in the mid-19th century, this very spot was home to a low-rise neighborhood of old Nizhny Novgorod.
The accent elements of the playground harmonize in color with the overall design of the square, seamlessly integrating it into the surroundings. The scarlet supports of the climbing structures and the tower frame make the playground stand out among the trees and give it a festive appearance. The play environment created by "Cheharda" looks particularly striking in tandem with the vibrant graffiti by Dmitry Aske on the wall of a nearby building.
The resulting ensemble unites nature, architecture, and art, pays homage to the city’s history, and invites visitors for year-round outdoor strolls.
Area: 176 m² includes: 7 play structures and impact-absorbing surfaces.
Client: Institute for Urban Environment Development of the Nizhny Novgorod Region
GIANT MUSHROOMS
Kazan 2016
"Giant Mushrooms" is a multi-level forest play space located in the Gorkinsky-Ometievsky Forest in Kazan. It is the first children’s playground to be built not in a clearing, as is customary, but directly inside the forest!
Within this section of the play forest, two distinct play levels have been created. The upper level is an aerial route that weaves between existing trees and vibrant, memorable mushroom art objects, allowing children to explore the natural environment shaped by the forest over time. The second, ground-level tier is better suited for those who are still practicing and just gathering the courage to climb higher. The connection between the two levels is established through vertical climbing labyrinths built into the stems of three giant mushrooms. All trees are an integral part of the playground and were carefully preserved during construction.
The 2,000 m² playground includes: 11 play structures, a spatial system of climbing paths (skyway), an open-air amphitheater with seating, impact-absorbing surfaces, and landscape elements.
Client: Foundation "Institute for Urban Development of the Republic of Tatarstan"
The playground received the Archiwood 2017 and Martela EdDesign Award 2018.
Kazan 2016
"Giant Mushrooms" is a multi-level forest play space located in the Gorkinsky-Ometievsky Forest in Kazan. It is the first children’s playground to be built not in a clearing, as is customary, but directly inside the forest!
Within this section of the play forest, two distinct play levels have been created. The upper level is an aerial route that weaves between existing trees and vibrant, memorable mushroom art objects, allowing children to explore the natural environment shaped by the forest over time. The second, ground-level tier is better suited for those who are still practicing and just gathering the courage to climb higher. The connection between the two levels is established through vertical climbing labyrinths built into the stems of three giant mushrooms. All trees are an integral part of the playground and were carefully preserved during construction.
The 2,000 m² playground includes: 11 play structures, a spatial system of climbing paths (skyway), an open-air amphitheater with seating, impact-absorbing surfaces, and landscape elements.
Client: Foundation "Institute for Urban Development of the Republic of Tatarstan"
The playground received the Archiwood 2017 and Martela EdDesign Award 2018.
THE FOX SLIDE
Kazan 2018
Right on the main meadow of Kazan’s city park, a true giant slide has emerged, designed for year-round use in both summer and winter. In appearance, it resembles a fox cautiously peeking out from the forest thicket. In addition to its primary function, it serves as an observation deck, offering a panoramic view of the surrounding forest.
The slide’s chute is crafted from stainless steel, ensuring a smooth ride in any weather and at any time of the year.
The space beneath the slide functions as an additional play area. Here, younger children who may still be hesitant to tackle the main descent can play alongside their parents on bubble swings and nest swings, explore climbing hammocks, or practice their skills on a climbing wall.
Area: 300 m²
Client: State Investment and Construction Directorate of the Republic of Tatarstan
Kazan 2018
Right on the main meadow of Kazan’s city park, a true giant slide has emerged, designed for year-round use in both summer and winter. In appearance, it resembles a fox cautiously peeking out from the forest thicket. In addition to its primary function, it serves as an observation deck, offering a panoramic view of the surrounding forest.
The slide’s chute is crafted from stainless steel, ensuring a smooth ride in any weather and at any time of the year.
The space beneath the slide functions as an additional play area. Here, younger children who may still be hesitant to tackle the main descent can play alongside their parents on bubble swings and nest swings, explore climbing hammocks, or practice their skills on a climbing wall.
Area: 300 m²
Client: State Investment and Construction Directorate of the Republic of Tatarstan
SHELL OF THE GREAT WATERS
Tatarstan 2017
Children and parents of Bogatye Saby expressed a desire to create a focal point for play and sports, which is given special emphasis in this region, while simultaneously establishing a vibrant landmark for the park and the entire village.
The "Shell of the Great Waters" playground emerged as a striking image on the bank of the shallowing Sabinka River. It evokes the image of a giant mollusk’s abandoned home, left behind after the "great waters" receded—a visual reminder of the times when the river was full and flowing.
According to a legend created by the architects, local children discovered this abandoned shell and built a play world inside it: tunnels, ropes, climbing structures, climbing walls, intricate spatial nets, hammocks, and multiple levels for play. At the base of the shell, a sandy play zone was organized for toddlers. Here, within a natural play environment and through interaction with natural materials—sand, wood, and water—children can learn to create new worlds and prepare for the more complex and challenging labyrinths of life.
The play shell is a striking example of bionic architecture. Its 8-meter-high metal load-bearing frame is designed as a parametric form, generated using an algorithm based on a real natural shell. Both inside and out, the shell is richly equipped with rope climbing elements.
The pattern and structure of the shell’s wooden cladding were specially designed to allow light and air to easily penetrate the interior volume. At night, the shell is illuminated only from within, causing it to visually "disappear" while softly shimmering with light that filters through the gaps in the wooden slats. This magical effect radically transforms the perception of the shell, making the nighttime experience entirely different from the daytime one.
Area: 1,500 m² includes: A shell-shaped play pavilion (metal frame + wood cladding) with a footprint of 8×12 m and a height of 8 m, plus 8 freestanding play structures.
Client: Foundation "Institute for Urban Development of the Republic of Tatarstan"
Tatarstan 2017
Children and parents of Bogatye Saby expressed a desire to create a focal point for play and sports, which is given special emphasis in this region, while simultaneously establishing a vibrant landmark for the park and the entire village.
The "Shell of the Great Waters" playground emerged as a striking image on the bank of the shallowing Sabinka River. It evokes the image of a giant mollusk’s abandoned home, left behind after the "great waters" receded—a visual reminder of the times when the river was full and flowing.
According to a legend created by the architects, local children discovered this abandoned shell and built a play world inside it: tunnels, ropes, climbing structures, climbing walls, intricate spatial nets, hammocks, and multiple levels for play. At the base of the shell, a sandy play zone was organized for toddlers. Here, within a natural play environment and through interaction with natural materials—sand, wood, and water—children can learn to create new worlds and prepare for the more complex and challenging labyrinths of life.
The play shell is a striking example of bionic architecture. Its 8-meter-high metal load-bearing frame is designed as a parametric form, generated using an algorithm based on a real natural shell. Both inside and out, the shell is richly equipped with rope climbing elements.
The pattern and structure of the shell’s wooden cladding were specially designed to allow light and air to easily penetrate the interior volume. At night, the shell is illuminated only from within, causing it to visually "disappear" while softly shimmering with light that filters through the gaps in the wooden slats. This magical effect radically transforms the perception of the shell, making the nighttime experience entirely different from the daytime one.
Area: 1,500 m² includes: A shell-shaped play pavilion (metal frame + wood cladding) with a footprint of 8×12 m and a height of 8 m, plus 8 freestanding play structures.
Client: Foundation "Institute for Urban Development of the Republic of Tatarstan"
THE "BABUSHKA" DERRICK
Ishimbay 2020
The central play structure of the children’s playground, located opposite the Central House of Culture, is designed in the image of the "Babushka" (Grandmother) Derrick—a preserved historical oil derrick that marked the beginning of "black gold" extraction in Bashkortostan.
The "Cheharda" studio was tasked not just with drawing inspiration from this object, but with creating a replica. This gave rise to the idea of a metal play tower. We aimed not to reproduce every detail literally, but to capture an image based on the similarity of lines, proportions, and forms, one that would evoke the same emotional impact as the original.
The height of the tower (5.5 meters) is dictated by its play functions. On the outside, there are two slides, while the inside features hammock-style ladders and ropes. They are designed in such a way that only children who are confident and unafraid of the descent can access each specific slide.
The playground is located in the square near the Central House of Culture in Ishimbay and can be accessed directly from the main square. The space is divided into two age zones. The toddler zone, featuring a sand-pouring station, swings, and a slide, is located closer to the square and benches. The art object and climbing structures for older children are situated further back, tucked away from direct sight.
The play space is visible from the square, but it does not shout or vie for attention as the main attraction. Instead, it calmly and with quiet dignity invites visitors to play, harmonizing perfectly with the surrounding buildings and the square.
The playground includes: 10 play structures, impact-absorbing surfaces, and landscape elements.
Client: Institute for Urban Development of the Republic of Bashkortostan
Ishimbay 2020
The central play structure of the children’s playground, located opposite the Central House of Culture, is designed in the image of the "Babushka" (Grandmother) Derrick—a preserved historical oil derrick that marked the beginning of "black gold" extraction in Bashkortostan.
The "Cheharda" studio was tasked not just with drawing inspiration from this object, but with creating a replica. This gave rise to the idea of a metal play tower. We aimed not to reproduce every detail literally, but to capture an image based on the similarity of lines, proportions, and forms, one that would evoke the same emotional impact as the original.
The height of the tower (5.5 meters) is dictated by its play functions. On the outside, there are two slides, while the inside features hammock-style ladders and ropes. They are designed in such a way that only children who are confident and unafraid of the descent can access each specific slide.
The playground is located in the square near the Central House of Culture in Ishimbay and can be accessed directly from the main square. The space is divided into two age zones. The toddler zone, featuring a sand-pouring station, swings, and a slide, is located closer to the square and benches. The art object and climbing structures for older children are situated further back, tucked away from direct sight.
The play space is visible from the square, but it does not shout or vie for attention as the main attraction. Instead, it calmly and with quiet dignity invites visitors to play, harmonizing perfectly with the surrounding buildings and the square.
The playground includes: 10 play structures, impact-absorbing surfaces, and landscape elements.
Client: Institute for Urban Development of the Republic of Bashkortostan
DRAGON
Ufa 2020
A giant dragon, the architectural focal point of the new park near the shopping center, has sprawled across a meadow between the hills, inviting children to play wherever they please.
From the many ways to interpret this character from the Bashkir epic, we chose to depict the entire torso, embedding play equipment within its volumetric form: 3D labyrinths, a slide, climbing hammocks, and swings.
To give it a dragon-like appearance, we used "fur" made of logs. Parts of the frame are left exposed, allowing adults to easily observe children playing inside the structure.
To the side of the dragon is an amphitheater, a resting area for children and parents. Additionally, the dragon’s wing offers shelter from the sun and rain. The first wing is designed as a canopy, while the second functions as a climbing structure. For the youngest visitors, we built a sandy crater.
As envisioned by "Cheharda" studio, when approaching the playground, visitors initially see only the landscaped hills. This enhances the dramatic effect of the dragon’s sudden appearance between them. The hills are truly playable: children can not only run across them but also hide in the passages or crawl through tunnels.
Ufa 2020
A giant dragon, the architectural focal point of the new park near the shopping center, has sprawled across a meadow between the hills, inviting children to play wherever they please.
From the many ways to interpret this character from the Bashkir epic, we chose to depict the entire torso, embedding play equipment within its volumetric form: 3D labyrinths, a slide, climbing hammocks, and swings.
To give it a dragon-like appearance, we used "fur" made of logs. Parts of the frame are left exposed, allowing adults to easily observe children playing inside the structure.
To the side of the dragon is an amphitheater, a resting area for children and parents. Additionally, the dragon’s wing offers shelter from the sun and rain. The first wing is designed as a canopy, while the second functions as a climbing structure. For the youngest visitors, we built a sandy crater.
As envisioned by "Cheharda" studio, when approaching the playground, visitors initially see only the landscaped hills. This enhances the dramatic effect of the dragon’s sudden appearance between them. The hills are truly playable: children can not only run across them but also hide in the passages or crawl through tunnels.
SPACE STATION
Novosibirsk 2021
This playground is located in Peace Park (Park Mira), not far from Novosibirsk. Like all installations in this park, the playground is designed to open up new worlds for its guests, helping them better understand themselves and their capabilities. The theme of space, as a realm of harmony and order, is revealed through imagery of movement and is organically woven into the park’s overall concept. The motion of the universe’s elements—atoms, planets, and galaxies—is subject to unified laws, and by being on the playground, one can feel like a part of this grand system.
The play complex consists of three towers, a suspended tunnel, and two slides. The tallest tower reaches six meters. The towers are enclosed by a transparent metal mesh, and as children climb to the top via a 3D rope labyrinth, they can admire the surrounding panorama from gradually changing perspectives.
The two end towers are crowned with rings positioned in different planes. These rings appear to hover in the air, resembling the elliptical orbits of celestial bodies and symbolizing the multifaceted nature of this movement. Thermal wood bending was used to craft the "crowns" of the towers.
The playground is situated on a flat, vegetation-free area, which further enhances its resemblance to a station erected on some distant, barren planet.
Area: 372 m² includes: 1 play structure with two slides, 1 play object, and impact-absorbing surfaces.
Client: Peace Park (Park Mira)
Novosibirsk 2021
This playground is located in Peace Park (Park Mira), not far from Novosibirsk. Like all installations in this park, the playground is designed to open up new worlds for its guests, helping them better understand themselves and their capabilities. The theme of space, as a realm of harmony and order, is revealed through imagery of movement and is organically woven into the park’s overall concept. The motion of the universe’s elements—atoms, planets, and galaxies—is subject to unified laws, and by being on the playground, one can feel like a part of this grand system.
The play complex consists of three towers, a suspended tunnel, and two slides. The tallest tower reaches six meters. The towers are enclosed by a transparent metal mesh, and as children climb to the top via a 3D rope labyrinth, they can admire the surrounding panorama from gradually changing perspectives.
The two end towers are crowned with rings positioned in different planes. These rings appear to hover in the air, resembling the elliptical orbits of celestial bodies and symbolizing the multifaceted nature of this movement. Thermal wood bending was used to craft the "crowns" of the towers.
The playground is situated on a flat, vegetation-free area, which further enhances its resemblance to a station erected on some distant, barren planet.
Area: 372 m² includes: 1 play structure with two slides, 1 play object, and impact-absorbing surfaces.
Client: Peace Park (Park Mira)
THE RIPENING QUARTER
Moscow Region 2016
At the Archstoyanie Detskoe (Archstoyanie for Children) festival, held in Konakovo in 2015 under the curation of Andrei Bartenev, the studio designed and built the "Ripening Quarter" installation—a play system consisting of three diverse, multi-level nests that return both children and adults to the important life stage of maturation.
Precisely because a nest is a symbol of beginning, genesis, and initial growth, the entire play composition greets visitors immediately upon entering the festival grounds. It immerses them in infancy and the fledgling stage, allowing guests to begin their further growth from this starting point as they move from one installation to the next throughout the festival.
Thanks to the linear layout of the festival space, the Ripening Quarter also serves to bid farewell to the guest, offering an individual who has already grown and been tested by the experience a final opportunity to immerse themselves in a soft, light, and tender childhood…
The 150 m² complex includes: 3 art objects.
Client: Archstoyanie Detskoe Festival and Konakovo River Club
Moscow Region 2016
At the Archstoyanie Detskoe (Archstoyanie for Children) festival, held in Konakovo in 2015 under the curation of Andrei Bartenev, the studio designed and built the "Ripening Quarter" installation—a play system consisting of three diverse, multi-level nests that return both children and adults to the important life stage of maturation.
Precisely because a nest is a symbol of beginning, genesis, and initial growth, the entire play composition greets visitors immediately upon entering the festival grounds. It immerses them in infancy and the fledgling stage, allowing guests to begin their further growth from this starting point as they move from one installation to the next throughout the festival.
Thanks to the linear layout of the festival space, the Ripening Quarter also serves to bid farewell to the guest, offering an individual who has already grown and been tested by the experience a final opportunity to immerse themselves in a soft, light, and tender childhood…
The 150 m² complex includes: 3 art objects.
Client: Archstoyanie Detskoe Festival and Konakovo River Club
AT THE SECRET HILL
Moscow 2016
Playgrounds created within a nature reserve differ significantly from typical urban playgrounds, not only in their appearance but also in the objectives they are designed to fulfill.
The children’s eco-play space in Izmailovsky Park, created by Cheharda studio, is not merely a natural play zone for the younger generation, but a fully-fledged public space for all park visitors. Thanks to play structures designed for all ages and unconventional art elements, it has become a place where both adults and children can add variety to their park stroll with engaging activities, and enjoy a comfortable, educational respite in a natural environment.
Area: 1,200 m² includes: 8 play structures, a pavilion, impact-absorbing surfaces, and landscape elements/plantings.
Client: Moscow State Nature Reserve "Mospriroda"
Moscow 2016
Playgrounds created within a nature reserve differ significantly from typical urban playgrounds, not only in their appearance but also in the objectives they are designed to fulfill.
The children’s eco-play space in Izmailovsky Park, created by Cheharda studio, is not merely a natural play zone for the younger generation, but a fully-fledged public space for all park visitors. Thanks to play structures designed for all ages and unconventional art elements, it has become a place where both adults and children can add variety to their park stroll with engaging activities, and enjoy a comfortable, educational respite in a natural environment.
Area: 1,200 m² includes: 8 play structures, a pavilion, impact-absorbing surfaces, and landscape elements/plantings.
Client: Moscow State Nature Reserve "Mospriroda"
ALLEY OF GLORY
Kazan 2019
The playground is located in the Yudino residential district of Kazan, within "Alley of Glory" Park, in close proximity to a memorial dedicated to those who fell in the Great Patriotic War. This presented the main challenge: to create a vibrant, lively play space while maintaining a deeply respectful attitude toward the memory of the heroes. We believed that using trees in their natural form, exactly as they grow in nature, would be the most tactful way to address this task.
The primary architectural feature of the playground is the use of unaltered, naturally shaped trees for the majority of the play structures.
The central element of the playground is a climbing structure with arches, where children and teenagers can test their strength and agility. Two hammocks, shaped like giraffes, are suitable for both climbing and resting. A sand-pouring station is located in the toddler zone, and groups of stepping stumps are scattered throughout the area.
The playground includes: 8 play structures, impact-absorbing surfaces, and landscape elements.
Client: State Investment and Construction Directorate of the Republic of Tatarstan
Kazan 2019
The playground is located in the Yudino residential district of Kazan, within "Alley of Glory" Park, in close proximity to a memorial dedicated to those who fell in the Great Patriotic War. This presented the main challenge: to create a vibrant, lively play space while maintaining a deeply respectful attitude toward the memory of the heroes. We believed that using trees in their natural form, exactly as they grow in nature, would be the most tactful way to address this task.
The primary architectural feature of the playground is the use of unaltered, naturally shaped trees for the majority of the play structures.
The central element of the playground is a climbing structure with arches, where children and teenagers can test their strength and agility. Two hammocks, shaped like giraffes, are suitable for both climbing and resting. A sand-pouring station is located in the toddler zone, and groups of stepping stumps are scattered throughout the area.
The playground includes: 8 play structures, impact-absorbing surfaces, and landscape elements.
Client: State Investment and Construction Directorate of the Republic of Tatarstan
PLAYGROUND IN THE PARK NEAR THE SAID-GALEEV CULTURAL CENTER
Kazan 2020
The playground is located in the park in front of the Said-Galeev Cultural Center, which was recently restored while preserving the atmosphere of the Soviet era. When designing this space, we wanted to ensure that nothing would distract from the natural landscape. Therefore, the playground is unobtrusively scattered across four clearings of varying sizes, connected by pathways. All structures are harmoniously integrated into the landscape and do not stand out against its backdrop.
Thanks to natural, earthy colors and soft forms, the play space does not dominate the surrounding nature; rather, it emphasizes its beauty while enriching the palette of tactile, visual, and motor stimuli. It has everything children of different ages need to enjoy play and practice their agility: a "windfall" climbing structure, a cluster of massive boulders, rope obstacles, slides, and swings.
Client: State Investment and Construction Directorate of the Republic of Tatarstan
Kazan 2020
The playground is located in the park in front of the Said-Galeev Cultural Center, which was recently restored while preserving the atmosphere of the Soviet era. When designing this space, we wanted to ensure that nothing would distract from the natural landscape. Therefore, the playground is unobtrusively scattered across four clearings of varying sizes, connected by pathways. All structures are harmoniously integrated into the landscape and do not stand out against its backdrop.
Thanks to natural, earthy colors and soft forms, the play space does not dominate the surrounding nature; rather, it emphasizes its beauty while enriching the palette of tactile, visual, and motor stimuli. It has everything children of different ages need to enjoy play and practice their agility: a "windfall" climbing structure, a cluster of massive boulders, rope obstacles, slides, and swings.
Client: State Investment and Construction Directorate of the Republic of Tatarstan
ORLANDIA
Leningrad Region 2020
The "Orlandia" play space became the first phase of the public space improvement project in the village of Bolshoye Kuzemkino. The project was implemented in close collaboration with local residents, following the principle of "Nothing for us without us!". Residents noted that they deeply value the surrounding nature and wanted the playground to reflect the unique characteristics of their native region.
The nearby nature reserve served as a source of inspiration for the architects. Known for its diverse bird population, the reserve inspired elements of the playground that resemble woven bird nests. The play structures are seamlessly integrated into the existing landscape, and together they form a unified ensemble—a true natural play world. The space is divided into three parts:
— A secluded meadow for toddlers aged 1−6, featuring a slide, a sandbox, and a sand-pouring station.
— A meadow for children aged 5−15. The log climbing structure is challenging enough to engage older kids and test their agility and dexterity, while its lower level remains safe for younger children. A cocoon-like egg structure symbolizes the nest of a white-tailed eagle. In the evenings, this spot serves as a gathering place for teenagers and adults.
— The third part of the playground is designed for ages 6−15 and consists of a complex of towers connected in pairs by bridges. This is a world where everyone can let their imagination run wild and pretend to be a bird or an animal.
Area: 800 m² includes: 10 play structures, impact-absorbing surfaces, and landscape elements.
Client: Nord Stream 2 AG
Leningrad Region 2020
The "Orlandia" play space became the first phase of the public space improvement project in the village of Bolshoye Kuzemkino. The project was implemented in close collaboration with local residents, following the principle of "Nothing for us without us!". Residents noted that they deeply value the surrounding nature and wanted the playground to reflect the unique characteristics of their native region.
The nearby nature reserve served as a source of inspiration for the architects. Known for its diverse bird population, the reserve inspired elements of the playground that resemble woven bird nests. The play structures are seamlessly integrated into the existing landscape, and together they form a unified ensemble—a true natural play world. The space is divided into three parts:
— A secluded meadow for toddlers aged 1−6, featuring a slide, a sandbox, and a sand-pouring station.
— A meadow for children aged 5−15. The log climbing structure is challenging enough to engage older kids and test their agility and dexterity, while its lower level remains safe for younger children. A cocoon-like egg structure symbolizes the nest of a white-tailed eagle. In the evenings, this spot serves as a gathering place for teenagers and adults.
— The third part of the playground is designed for ages 6−15 and consists of a complex of towers connected in pairs by bridges. This is a world where everyone can let their imagination run wild and pretend to be a bird or an animal.
Area: 800 m² includes: 10 play structures, impact-absorbing surfaces, and landscape elements.
Client: Nord Stream 2 AG
WALKING TREES
Moscow 2019
The playground is inspired by the works of Russian avant-garde artists. In plan, it resembles a bold composition by Kandinsky: a perfect circle of wooden decking is intersected by a straight line of a climbing tunnel supported by tree-like pillars. In three dimensions, this layout creates an equally bold and striking image of whimsical, multi-legged forest dwellers "walking" through the playground.
The space is designed for children aged 3 to 12. Its main feature is a system of tunnel walkways leading to a tower with a slide, which divides the playground into two distinct parts: one side features a climbing structure, swings, and a sand-pouring station, while the other offers resting areas under a canopy. The playground is characterized by the compactness of its volumes, which fit neatly within the circular perimeter decking, while simultaneously offering a diverse range of play elements.
A special touch of intrigue is created by one tree that has "stepped" beyond the boundary of the circular decking, as if planning to escape into the forest thicket of the park…
Area: 1,500 m² includes: 9 play structures, impact-absorbing surfaces, and landscape elements.
Client: Moscow State Nature Reserve "Mospriroda"
Moscow 2019
The playground is inspired by the works of Russian avant-garde artists. In plan, it resembles a bold composition by Kandinsky: a perfect circle of wooden decking is intersected by a straight line of a climbing tunnel supported by tree-like pillars. In three dimensions, this layout creates an equally bold and striking image of whimsical, multi-legged forest dwellers "walking" through the playground.
The space is designed for children aged 3 to 12. Its main feature is a system of tunnel walkways leading to a tower with a slide, which divides the playground into two distinct parts: one side features a climbing structure, swings, and a sand-pouring station, while the other offers resting areas under a canopy. The playground is characterized by the compactness of its volumes, which fit neatly within the circular perimeter decking, while simultaneously offering a diverse range of play elements.
A special touch of intrigue is created by one tree that has "stepped" beyond the boundary of the circular decking, as if planning to escape into the forest thicket of the park…
Area: 1,500 m² includes: 9 play structures, impact-absorbing surfaces, and landscape elements.
Client: Moscow State Nature Reserve "Mospriroda"
WAVE
Tatarstan 2018
The "Sea Serpent" playground in the residential complex (Bonava) area reflects the harmony between modernity and the spirit of Scandinavian legends. Inspired by Jörmungandr from Scandinavian mythology, it serves as a symbol of strength and grandeur, much like the mythical serpent that wraps around the world.
The principles of the residential complex here evolve into a concept of a close-knit community, where the uniqueness of the neighborhood is reflected in every facade and environment, creating a space that caters to the needs of diverse social groups.
A wide range of public spaces offers opportunities for interaction and inspiration, prioritizing pedestrians and cultivating an atmosphere steeped in the best traditions of Sweden.
Abundant greenery and a diverse landscape on the site establish a strong connection with nature, imbuing the place with an atmosphere of marine power and an aquatic vibe that resonates with the legends of Scandinavian mythology.
The playground includes: 1 play complex, impact-absorbing surfaces, and landscape elements.
Client: Residential Complex "Magnifica"
Tatarstan 2018
The "Sea Serpent" playground in the residential complex (Bonava) area reflects the harmony between modernity and the spirit of Scandinavian legends. Inspired by Jörmungandr from Scandinavian mythology, it serves as a symbol of strength and grandeur, much like the mythical serpent that wraps around the world.
The principles of the residential complex here evolve into a concept of a close-knit community, where the uniqueness of the neighborhood is reflected in every facade and environment, creating a space that caters to the needs of diverse social groups.
A wide range of public spaces offers opportunities for interaction and inspiration, prioritizing pedestrians and cultivating an atmosphere steeped in the best traditions of Sweden.
Abundant greenery and a diverse landscape on the site establish a strong connection with nature, imbuing the place with an atmosphere of marine power and an aquatic vibe that resonates with the legends of Scandinavian mythology.
The playground includes: 1 play complex, impact-absorbing surfaces, and landscape elements.
Client: Residential Complex "Magnifica"
CREAKING STUMPS
Yekaterinburg 2018
Once upon a time, the entire world order was governed by the laws of nature, and people believed in the spirits of the wind, water, thunder, and lightning—both in Scandinavia and in Ancient Rus. The "Creaking Stumps" playground is inspired by Scandinavian mythology and its imagery of forest spirits, as well as by Russian fairy tales featuring personified nature: here you will find Moomin trolls, benevolent leshys, tree-people, and swamp dwellers…
The playground is divided into four zones: "The Windfall," featuring a climbing structure made of logs and ropes that is an exact replica of a forest windfall. "Stump Glade," the central play zone, which resembles an open forest clearing with snags, stumps, and tree roots. The "Sandy Kingdom," an inclusive play area where children of all physical abilities can dig and find peace playing with sand. And the "Stone Glade," a zone for the youngest visitors, featuring elements that mimic the shapes of miniature mountain ranges.
The main guardians of the playground are the giant stumps, embodying the wise old elders of Russian fairy-tale forest lore.
The "Big Stump" is an 8-meter-tall tower with an observation deck at the top and multi-level vertical net labyrinths inside, which lead to a slide, a tunnel, and the observation deck itself, nestled right in the stump’s "hair." The "Small Stump" is its grandson—a shorter tower, up to 4.5 meters high, packed with climbing ropes, climbing walls, and even a relaxation podium with leaf-shaped benches.
Area: 500 m² includes: 18 play structures, impact-absorbing surfaces, and landscape elements.
Client: IKEA
Yekaterinburg 2018
Once upon a time, the entire world order was governed by the laws of nature, and people believed in the spirits of the wind, water, thunder, and lightning—both in Scandinavia and in Ancient Rus. The "Creaking Stumps" playground is inspired by Scandinavian mythology and its imagery of forest spirits, as well as by Russian fairy tales featuring personified nature: here you will find Moomin trolls, benevolent leshys, tree-people, and swamp dwellers…
The playground is divided into four zones: "The Windfall," featuring a climbing structure made of logs and ropes that is an exact replica of a forest windfall. "Stump Glade," the central play zone, which resembles an open forest clearing with snags, stumps, and tree roots. The "Sandy Kingdom," an inclusive play area where children of all physical abilities can dig and find peace playing with sand. And the "Stone Glade," a zone for the youngest visitors, featuring elements that mimic the shapes of miniature mountain ranges.
The main guardians of the playground are the giant stumps, embodying the wise old elders of Russian fairy-tale forest lore.
The "Big Stump" is an 8-meter-tall tower with an observation deck at the top and multi-level vertical net labyrinths inside, which lead to a slide, a tunnel, and the observation deck itself, nestled right in the stump’s "hair." The "Small Stump" is its grandson—a shorter tower, up to 4.5 meters high, packed with climbing ropes, climbing walls, and even a relaxation podium with leaf-shaped benches.
Area: 500 m² includes: 18 play structures, impact-absorbing surfaces, and landscape elements.
Client: IKEA
PLAYGROUND IN KOMSOMOLETS PARK
Kazan 2018
The play structures in Komsomolets Park resemble living trees that have independently "stepped out" of the forest and disguised themselves as play equipment for children. This playground is a prime example of a natural play environment. As you approach it, an inexplicable feeling arises that the forest itself is behaving whimsically, crafting intriguing shapes with fallen and overturned trees, vine-like ropes, exposed roots, and stumps…
The central feature of the playground is a composition of several bizarrely shaped towers formed from trees positioned in various orientations.
Unlike conventional towers, visitors must figure out the best way to climb to the upper level—there are no standard ladders here, but rather a multitude of ropes and branches. However, once you reach the top, you can embark on an exciting journey across rope bridges high among the tree canopies. From one of the towers, you can even take in a panoramic view of the entire playground and marvel at its "gnarled" and non-linear structure.
The playground is skillfully integrated into the park’s existing natural environment, nestled within a system of clearings of varying sizes. The climbing structure and fire pit occupy the open clearings almost entirely, while fallen logs and stumps frame open patches of the site, leaving plenty of room for running. Meanwhile, the towers connected by rope bridges carefully "step" between the bushes, carrying children over the treetops and linking several clearings together into a single, cohesive narrative of a journey through the forest.
Area: 950 m² includes: 7 play structures, impact-absorbing surfaces, and landscape elements.
Client: State Investment and Construction Directorate of the Republic of Tatarstan
Kazan 2018
The play structures in Komsomolets Park resemble living trees that have independently "stepped out" of the forest and disguised themselves as play equipment for children. This playground is a prime example of a natural play environment. As you approach it, an inexplicable feeling arises that the forest itself is behaving whimsically, crafting intriguing shapes with fallen and overturned trees, vine-like ropes, exposed roots, and stumps…
The central feature of the playground is a composition of several bizarrely shaped towers formed from trees positioned in various orientations.
Unlike conventional towers, visitors must figure out the best way to climb to the upper level—there are no standard ladders here, but rather a multitude of ropes and branches. However, once you reach the top, you can embark on an exciting journey across rope bridges high among the tree canopies. From one of the towers, you can even take in a panoramic view of the entire playground and marvel at its "gnarled" and non-linear structure.
The playground is skillfully integrated into the park’s existing natural environment, nestled within a system of clearings of varying sizes. The climbing structure and fire pit occupy the open clearings almost entirely, while fallen logs and stumps frame open patches of the site, leaving plenty of room for running. Meanwhile, the towers connected by rope bridges carefully "step" between the bushes, carrying children over the treetops and linking several clearings together into a single, cohesive narrative of a journey through the forest.
Area: 950 m² includes: 7 play structures, impact-absorbing surfaces, and landscape elements.
Client: State Investment and Construction Directorate of the Republic of Tatarstan
ON THE BOULEVARD
Kazan 2018
The "On the Boulevard" playground currently represents the most conventional, standard play space designed by Cheharda studio—a prime example of a "typical" playground integrated into the quiet urban fabric of a residential district. Situated on a boulevard with pedestrian paths running along both sides, the space naturally takes on a distinct transit character. Such a play environment is not meant to keep a child lingering, but rather to draw them into "brief play" and send them on their way, acting as an engaging, accompanying element along the entire length of the boulevard.
This is why the playground is formed by three separate zones "strung" along a single transitional path: a sand factory, a play meadow, and a climbing complex. Interestingly, this layout allows access to the play zones from both sides of the boulevard. The space is rich in play elements, offering both meticulous play and fine motor skill training for younger children, as well as active climbing functions for older, school-aged children.
The materials used to manufacture the play structures feature an extensive use of metal. This lightens the visual weight of the playground, gives it a more urban feel, and ensures high vandal resistance.
Area: 150 m² includes: 7 play structures, impact-absorbing surfaces, and landscape elements.
Client: State Investment and Construction Directorate of the Republic of Tatarstan
Kazan 2018
The "On the Boulevard" playground currently represents the most conventional, standard play space designed by Cheharda studio—a prime example of a "typical" playground integrated into the quiet urban fabric of a residential district. Situated on a boulevard with pedestrian paths running along both sides, the space naturally takes on a distinct transit character. Such a play environment is not meant to keep a child lingering, but rather to draw them into "brief play" and send them on their way, acting as an engaging, accompanying element along the entire length of the boulevard.
This is why the playground is formed by three separate zones "strung" along a single transitional path: a sand factory, a play meadow, and a climbing complex. Interestingly, this layout allows access to the play zones from both sides of the boulevard. The space is rich in play elements, offering both meticulous play and fine motor skill training for younger children, as well as active climbing functions for older, school-aged children.
The materials used to manufacture the play structures feature an extensive use of metal. This lightens the visual weight of the playground, gives it a more urban feel, and ensures high vandal resistance.
Area: 150 m² includes: 7 play structures, impact-absorbing surfaces, and landscape elements.
Client: State Investment and Construction Directorate of the Republic of Tatarstan
DON’T FALL OUT
Moscow Region 2016
The "Don't Fall Out" nest was built for the "Eco_tectonics" festival in the summer of 2016 and occupies about 100 square meters. The main objective was to create both a children’s play complex where a child could stay for an extended period, and an art object that would serve as an additional focal point and visual accent in the Eco Park.
The play complex consists of four distinct volumes: a giant nest with a net floor and a cozy cocoon, assembled from peeled larch poles and elevated on their own supports; a miniature Nest for the youngest children, mounted on flexible suspensions; and a 25-meter knitted climbing net that unites the entire complex.
This new, unconventional solution completely changes the perception of risk and fear: the massive knitted play net catches anyone attempting to "jump out" of the nest, immersing them in a fascinating world of net-based adventures. The net sags down to the ground, resembling a giant spiderweb where it is safe to leave even a toddler. The hammock-like entry points prevent any unexpected falls, while still allowing quick access directly from ground level.
The playground includes: 2 independent play elements and a climbing net connecting them.
Client: Eco Park "Yasno Pole"
Moscow Region 2016
The "Don't Fall Out" nest was built for the "Eco_tectonics" festival in the summer of 2016 and occupies about 100 square meters. The main objective was to create both a children’s play complex where a child could stay for an extended period, and an art object that would serve as an additional focal point and visual accent in the Eco Park.
The play complex consists of four distinct volumes: a giant nest with a net floor and a cozy cocoon, assembled from peeled larch poles and elevated on their own supports; a miniature Nest for the youngest children, mounted on flexible suspensions; and a 25-meter knitted climbing net that unites the entire complex.
This new, unconventional solution completely changes the perception of risk and fear: the massive knitted play net catches anyone attempting to "jump out" of the nest, immersing them in a fascinating world of net-based adventures. The net sags down to the ground, resembling a giant spiderweb where it is safe to leave even a toddler. The hammock-like entry points prevent any unexpected falls, while still allowing quick access directly from ground level.
The playground includes: 2 independent play elements and a climbing net connecting them.
Client: Eco Park "Yasno Pole"
THE RIPENING QUARTER
Moscow Region 2016
At the Archstoyanie Detskoe (Archstoyanie for Children) festival, held in Konakovo in 2015 under the curation of Andrei Bartenev, the studio designed and built the "Ripening Quarter" installation—a play system consisting of three diverse, multi-level nests that return both children and adults to the important life stage of maturation.
Precisely because a nest is a symbol of beginning, genesis, and initial growth, the entire play composition greets visitors immediately upon entering the festival grounds. It immerses them in infancy and the fledgling stage, allowing guests to begin their further growth from this starting point as they move from one installation to the next throughout the festival.
Thanks to the linear layout of the festival space, the Ripening Quarter also serves to bid farewell to the guest, offering an individual who has already grown and been tested by the experience a final opportunity to immerse themselves in a soft, light, and tender childhood…
The 150 m² complex includes: 3 art objects.
Client: Archstoyanie Detskoe Festival and Konakovo River Club
Moscow Region 2016
At the Archstoyanie Detskoe (Archstoyanie for Children) festival, held in Konakovo in 2015 under the curation of Andrei Bartenev, the studio designed and built the "Ripening Quarter" installation—a play system consisting of three diverse, multi-level nests that return both children and adults to the important life stage of maturation.
Precisely because a nest is a symbol of beginning, genesis, and initial growth, the entire play composition greets visitors immediately upon entering the festival grounds. It immerses them in infancy and the fledgling stage, allowing guests to begin their further growth from this starting point as they move from one installation to the next throughout the festival.
Thanks to the linear layout of the festival space, the Ripening Quarter also serves to bid farewell to the guest, offering an individual who has already grown and been tested by the experience a final opportunity to immerse themselves in a soft, light, and tender childhood…
The 150 m² complex includes: 3 art objects.
Client: Archstoyanie Detskoe Festival and Konakovo River Club
THE TRAIN
Kazan 2020
We were tasked with creating a play space that evokes railway tracks and the rhythmic clatter of wheels, with the main play structure designed in the form of a train. The choice of theme is no coincidence—the playground is located in the square in front of the Railway Workers' Cultural Center.
Filtered through the unique artistic vision of "Cheharda" studio, the image of a train is conveyed through a symphony of forms, materials, and the character of the proposed physical activities. This allowed us to recreate the essence of a railway without using literal train elements.
The theme dictated the choice of the primary material. The playground’s topography is shaped by powerful metal arches and supports.
To preserve the accuracy of the image, "Cheharda" studio deliberately avoided a tall vertical architectural focal point, focusing instead on horizontal movement. Rhythmically swaying on the ropes or moving through the tunnel, one cannot help but feel like a passenger on a moving train.
The dominant forms of the playground are circles and cylinders. They are abundant in any steam locomotive: round wheels, the cylindrical shape of the steam boiler, pistons, and the smokebox. This is how the cylindrical climbing tunnel emerged as a key feature of the main play structure. The central play structure is elongated, much like the train itself, and its silhouette closely echoes its shape.
No railway journey is complete without stops. The sand-pouring station is designed to truly resemble a train station. The forest clearing that the "train" passes by is filled with swings supported by naturally shaped trees. Even the houses of different styles and eras around the perimeter of the playground seem to become a scenic backdrop for this journey.
Client: State Investment and Construction Directorate of the Republic of Tatarstan
Kazan 2020
We were tasked with creating a play space that evokes railway tracks and the rhythmic clatter of wheels, with the main play structure designed in the form of a train. The choice of theme is no coincidence—the playground is located in the square in front of the Railway Workers' Cultural Center.
Filtered through the unique artistic vision of "Cheharda" studio, the image of a train is conveyed through a symphony of forms, materials, and the character of the proposed physical activities. This allowed us to recreate the essence of a railway without using literal train elements.
The theme dictated the choice of the primary material. The playground’s topography is shaped by powerful metal arches and supports.
To preserve the accuracy of the image, "Cheharda" studio deliberately avoided a tall vertical architectural focal point, focusing instead on horizontal movement. Rhythmically swaying on the ropes or moving through the tunnel, one cannot help but feel like a passenger on a moving train.
The dominant forms of the playground are circles and cylinders. They are abundant in any steam locomotive: round wheels, the cylindrical shape of the steam boiler, pistons, and the smokebox. This is how the cylindrical climbing tunnel emerged as a key feature of the main play structure. The central play structure is elongated, much like the train itself, and its silhouette closely echoes its shape.
No railway journey is complete without stops. The sand-pouring station is designed to truly resemble a train station. The forest clearing that the "train" passes by is filled with swings supported by naturally shaped trees. Even the houses of different styles and eras around the perimeter of the playground seem to become a scenic backdrop for this journey.
Client: State Investment and Construction Directorate of the Republic of Tatarstan
PLAY SPACE "BLOOMING GARDEN"
Vologda 2021
Once upon a time, this very spot in Osanovskaya Grove Park was home to fruit orchards, but over time they fell into disrepair. As part of the park’s revitalization program, the "Blooming Garden" playground was created on a clearing surrounded by apple trees.
The main feature of the playground resembles a sprawling apple tree. Inside, it features rope labyrinths and slides that allow children to climb to the very top and descend back to the ground. But if today it is an apple tree, tomorrow this structure might become a ship, and the day after, a giant spiderweb. Children are brilliant inventors, capable of dreaming up dozens of scenarios, provided the designers give them that opportunity and avoid overloading the project with overly literal forms.
The cylindrical volumes of the play space are surrounded by the branching trunks of several trees. They create an engaging natural play environment and a dual imagery: on one hand, each tree is unique and individual; on the other, they form a unified whole, creating two mighty canopies.
The supports of the play structures are painted white. This lends lightness to the composition and serves as a nod to the traditional whitewashing of garden tree trunks. The net canopy evokes the image of a blooming tree while simultaneously serving a safety and containment function.
The playground has become a beloved recreational spot for the entire neighborhood, where parents and children can explore the world, connect with nature, and invent new play scenarios.
Area: 546 m² includes: 6 play structures and impact-absorbing surfaces.
Client: Vologda Urban Environment Laboratory
Vologda 2021
Once upon a time, this very spot in Osanovskaya Grove Park was home to fruit orchards, but over time they fell into disrepair. As part of the park’s revitalization program, the "Blooming Garden" playground was created on a clearing surrounded by apple trees.
The main feature of the playground resembles a sprawling apple tree. Inside, it features rope labyrinths and slides that allow children to climb to the very top and descend back to the ground. But if today it is an apple tree, tomorrow this structure might become a ship, and the day after, a giant spiderweb. Children are brilliant inventors, capable of dreaming up dozens of scenarios, provided the designers give them that opportunity and avoid overloading the project with overly literal forms.
The cylindrical volumes of the play space are surrounded by the branching trunks of several trees. They create an engaging natural play environment and a dual imagery: on one hand, each tree is unique and individual; on the other, they form a unified whole, creating two mighty canopies.
The supports of the play structures are painted white. This lends lightness to the composition and serves as a nod to the traditional whitewashing of garden tree trunks. The net canopy evokes the image of a blooming tree while simultaneously serving a safety and containment function.
The playground has become a beloved recreational spot for the entire neighborhood, where parents and children can explore the world, connect with nature, and invent new play scenarios.
Area: 546 m² includes: 6 play structures and impact-absorbing surfaces.
Client: Vologda Urban Environment Laboratory
SPACE STATION
Novosibirsk 2021
This playground is located in Peace Park (Park Mira), near Novosibirsk. Like all installations in this park, the playground is designed to open up new worlds for its guests, helping them better understand themselves and their capabilities. The theme of space, as a realm of harmony and order, is revealed through imagery of movement and is organically woven into the park’s overall concept. The motion of the universe’s elements—atoms, planets, and galaxies—is subject to unified laws, and by being on the playground, one can feel like a part of this grand system.
The play complex consists of three towers, a suspended tunnel, and two slides. The tallest tower reaches six meters. The towers are enclosed by a transparent metal mesh, and as children climb to the top via a 3D rope labyrinth, they can admire the surrounding panorama from gradually changing perspectives.
The two end towers are crowned with rings positioned in different planes. These rings appear to hover in the air, resembling the elliptical orbits of celestial bodies and symbolizing the multifaceted nature of this movement. Thermal wood bending was used to craft the "crowns" of the towers.
The playground is situated on a flat, vegetation-free area, which further enhances its resemblance to a station erected on some distant, barren planet.
Area: 372 m² includes: 1 play structure with two slides, 1 play object, and impact-absorbing surfaces.
Client: Peace Park (Park Mira)
Novosibirsk 2021
This playground is located in Peace Park (Park Mira), near Novosibirsk. Like all installations in this park, the playground is designed to open up new worlds for its guests, helping them better understand themselves and their capabilities. The theme of space, as a realm of harmony and order, is revealed through imagery of movement and is organically woven into the park’s overall concept. The motion of the universe’s elements—atoms, planets, and galaxies—is subject to unified laws, and by being on the playground, one can feel like a part of this grand system.
The play complex consists of three towers, a suspended tunnel, and two slides. The tallest tower reaches six meters. The towers are enclosed by a transparent metal mesh, and as children climb to the top via a 3D rope labyrinth, they can admire the surrounding panorama from gradually changing perspectives.
The two end towers are crowned with rings positioned in different planes. These rings appear to hover in the air, resembling the elliptical orbits of celestial bodies and symbolizing the multifaceted nature of this movement. Thermal wood bending was used to craft the "crowns" of the towers.
The playground is situated on a flat, vegetation-free area, which further enhances its resemblance to a station erected on some distant, barren planet.
Area: 372 m² includes: 1 play structure with two slides, 1 play object, and impact-absorbing surfaces.
Client: Peace Park (Park Mira)
